January 31, 2012


From zero to hero in 9 months – Fab.com CEO, Jason Goldberg, lists 21 things that we should all know (he is adamant about good products). The Fab strategy is to give visitors something new and inspirational every day, making any purchases a mere afterthought. And it seem to working -2 million members and counting…

December 31, 2011

i pad Pear shapedLooking back on 2011 we decided to go for something a bit different with: You know things might be going pear-shaped when..

1. Your i-pad case is worth more than your i-pad

2. You’ve had more ‘meetings’ in 2011 via Skype than face to face ones

3. You find yourself watching yet another episode of Breaking Bad as it nears 3am Monday morning

4. The Ocado man has been to your doorstep this year more times than you’ve set foot in a grocery store

5.  You no longer recognise [or for that matter care] that Minority Report-styled personally targeted online ads are following you everywhere you go

6. ‘Checking in’ for you no longer conjures up anything to do with planes or hotel lobbies

7. You haven’t read a book from cover to cover this year

8. You have more apps on your phone than phone numbers

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December 22, 2011

ice1 Happy Holidays

A year gone by.  2011 was pretty jaw-dropping – think Arab Spring or Occupy Wall Street; Charlie Sheen or Amy Winehouse; Discoveries from The Large Hadron Collider or the fact that we now have 7 billion little humans running around the planet.  Onward to the next episode..

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December 8, 2011

storm Quiet StormFunny how just in the span of one day someone mentions the quiet before the storm (she is an Israeli who didn’t quite know if she got the expression right) as well as a friend sending a Holiday DJ mix reminiscent of ‘Quiet  Storm’ – the sounds of the 70s late night radio format that features – yes you guessed it, slow jams.

The best thing about the two references was that the Israeli was using the idiom as a word of caution to the end of civilization as we know it (technological warfare was the root cause I believe).  But in the same breadth, listening to the serene jams (sipping eggnog), everything seemed to be just right, in the right place, at the right pace – exactly as it does sometimes.

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November 23, 2011

Perfect Pitch Perfect PitchWe’ve been reflecting on the recent and past pitches we have made in 2011 and decided to capture 3 points that may or may not be helpful – but hey that’s what opinions are for:

1.  Don’t Pitch
When and if possible simply refuse to do a formal pitch.   Explain to the potential client that because you work in a participative way the brief will almost certainly change as the project progresses.  Error, a creative studio based in Liverpool has done just this as expressed so eloquently on their site.  Provide a prospective client with a few key references to your latest work  – and when applicable create a tailored deck outlining specifically how you work.  If that doesn’t fly or they tell you to bugger off, then maybe it just wasn’t mean to be.

2. Re-imagine the Brief
Answer what the brief is asking but also read between the lines as the client often finds extraordinary ways to not say what they really mean.  Commit to your ideas – because not only will it show that you are willing to take risks but when you do win -  it will be all the better.

3. Ask Questions.  Lots of Them.
On the day, gather as much information as possible before you pitch so you are well informed on the client’s mood as well as any new developments.  A great way to do this is to simply ask before the pitch how the process has been so far, if there have been any changes, or if they have seen anything ‘out there’ lately that they have liked.  It’s amazing as sometimes given the opportunity, the client ends up doing more talking than the agency.

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October 30, 2011

Risky Business Demos Story of SuccessA snapshot from interviews with creative businesses that we conducted as research for the think-tank Demos on their ‘Risky Business’ project.

Trailing around London we interviewed two-dozen entrepreneurs with the aim of capturing their views on risk and success within the creative sector.  We had a diverse range of respondents from the secluded milliner to the international media firm, from the tech start-up to the independent record establishment.  Here is a snapshot of what we discovered:

All of the entrepreneurs we talked to were able to take risks, have faith in their creative staff, identify new business opportunities, and anticipate and adapt to changing market conditions.

Take considered risks. Although some respondents were quick to label themselves as naive when starting up, when probed further, most felt that they had taken calculated risks based on the information available to them at the time.  In the majority of cases, there were no other stakeholders in their ventures, and therefore little was at stake besides reputation and personal investment.

Businesses develop over time.  Successful organisations adapt to changing situations in order to survive and thrive, and our studies exposed how in practice this varies between creative sectors.   In the music industry, one company moved from a strictly sales and distribution operation to include in-house labels and an array of new artist services.  In the fashion sector we saw a company move from own-label creations to designing more accessible clothing for third party manufacturing and distribution. This growth strategy is a carefully calculated one involving tailoring the right designs to suit a new market as well as partnering with the right retail channels from the outset.

In the TV and Film world converging media and cross platform services are permitting original content to yield revenues from a range of previously untapped sources.   In the video games sector there is a distinct user-centred approach to gaming development as companies use real time data, incremental feedback, and ongoing validation to meet consumer behaviour.  The end result is that in a highly competitive market these companies can respond and stay relevant to what the market and the consumer desires.

We found that a significant factor in enabling businesses to produce output with high commercial value was that their leaders consistently made decisions that upheld the integrity and sovereignty of their creative talent.   This skill to spot, nurture and develop talent was present in each entrepreneur, and contributed to a positive and healthy work environment.

The interviews enabled us to also identify some common factors underlying success. Strong creative businesses are:

1) Values Driven: possess a higher sense of purpose that informs why the company does what it does beyond just making a buck;

2) Profit making: an underlying business strategy to turn a profit so that it can at least adapt and sustain itself;

3) People centric: emphasis on creating a collaborative culture in the workplace along with building long-term affinity with customers

These lean and flexible businesses that maneuver smart and fast within their specific sectors are led by entrepreneurs that are first and foremost, creative thinkers.  Most are content working on a present-day model of borrowing bits of time from highly skilled specialists over amassing an impressive number of employees. The end sum is a striking balance of preserving a general sense of purpose, creative autonomy, and the ability to grow a profitable business – organically.

The report is led by Helen Burrows and Kitty Ussher and can be downloaded here.

Photo courtesy of Demos.

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October 30, 2011

Recently published book on Service Design – brilliant.

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